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Temple Speciality

Temple Name

Sthalam

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Mahalingaswamy, Pirguchuntaragujambigai

Mahalingeswaraswamy Temple, Thiruvidaimarudur is a Hindu temple dedicated to the deity Shiva, located in Tiruvidaimaruthur, a village in the South Indian state of Tamil Nadu. It is significant to the Hindu sect of Saivism as one of the seven major Shiva temples. Shiva is worshiped as Mahalingeswaraswamy, and is represented by the lingam, with his idol referred to as Jyothirmayalingam. His consort Mookambika is depicted as Devi Bruhatsundarakuchaambika or Bruhatsundarakuchaambigai amman.

The lingam of the temple is believed to be the focal point for the seven consorts of Shiva. The presiding deity is revered in the 7th century Tamil Saiva canonical work, the Tevaram, written by Tamil poet saints known as the nayanars and classified as Paadal Petra Sthalam.

The 9th century Saiva saint poet Manikkavacakar has sung praise about the temple in his works.

There are 149 inscriptions associated with the temple indicating contributions from Pandyas, Cholas, Thanjavur Nayaks and Thanjavur Maratha kingdom. The oldest parts of the present masonry structure were built during the Chola dynasty in the 9th century, while later expansions, including the towering gopuram gatehouses, are attributed to later periods, up to the Thanjavur Nayaks during the 16th century.

The temple complex is one of the largest in the state and it houses four gateway towers known as gopurams. The temple has numerous shrines, with those of Mahalingeswaraswamy, Bruhatsundarakuchaambika and Mookambigai ( or Devi Mookambika ) being the most prominent. The temple complex houses many halls and three precincts; the most notable is the second precinct built during the Vijayanagar period that has many sculptures.

The temple has six daily rituals at various times from 5:30 a.m. to 10 p.m., and twelve yearly festivals on its calendar. The temple is maintained and administered by Thiruvaduthurai Adheenam, a South Indian monastic institution.

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Puranam

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Tiruvidaimaruthur temple 
The name &quot;Kumbakonam&quot;, roughly translated in English as the &quot;Jug&#39;s Corner&quot;,is believed to be an allusion to the mythical pot (kumbha) of the Hindu god Brahma that contained the seed of all living beings on earth. The kumbha is believed to have been displaced by a pralaya (dissolution of the universe) and ultimately came to rest at the spot where the town of Kumbakonam now stands.The drops of nectar are believed to have fallen onto five shrines around Kumbakonam, namely Mahalingeswarar temple at Tiruvidaimarudur, Tirudharasuram, Naganathar Temple at Tirunageswaram, Tiruvorgam and Tirupadalavanam.

The legend of a Chola prince who killed a Brahmin and was in turn, pursued by his spirit (Brahmarakshas), is associated with the temple. The Chola prince, it is believed, entered the Mahalingeswarar Temple and prayed to his favourite God, Shiva for relief from the clutches of the spirit of the dead Brahmin or brahmarakshas.

The Chola prince made his way out through another entrance thereby saving himself.&nbsp;Some sources associate the legend with Pandya king Varagunapandian.&nbsp;It continues till day where people take the second entrance to exit the premises after worship. There is a sculpture of Chola brahmaharakshas on the eastern premises in one of the inner gopurams (tower gateway).

Shiva is believed to have appeared as a flame to please Agastya and other sages who were performing penance. Shiva (Rudra) is said to have emanated from the heart of Mookambika. It is also believed that several other deities like Vinayaga, Murugan, Parvathi, Kali, Lakshmi, Saraswathi, Brahma, Airavata (the elephant of celestial king Indra) and Vishnu worshipped Mahalingaswamy.

Varnam

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Marudur is derived from the name of the holy tree, namely Maruda.&nbsp;The Sthala Vriksha (temple tree) is Maruda.This temple is classified as Madhya Arjunam, called Idai Maruthu meaning centre Marudur.

The Mallikarjuna swamy temple are Srisailam is called Thalai Maruthu (meaning top Marudur) and Tirupudaimaruthur temple at Ambasamudram in Tirunelveli district is called Kadai Maruthu (meaning lower Marudur).&nbsp;Since Shiva raised out as a flame to the sages, the presiding deity is also referred as Jyothirmaya Mahalingam.

Historically Shiva was worshipped as Jyothi, the sacred flame and with the course of time, Jyothrilinga temples were developed. Since the place is full of Maruda tree, Shiva is also referred as Marudavanan. The Sanskrit word for the Tamizh word Maruda is Arjuna vruksham.

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Image of the second precinct

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There are a total of 149 inscriptions associated with the temple.

According to legend, the site of the temple at Thiruvidaimarudur has been used for over 2,000 years and is associated with the&nbsp;Pandya&nbsp;king Varaguna Pandian. The temple contains inscriptions of the&nbsp;Hoysala&nbsp;kings and some&nbsp;Vijayanagara&nbsp;grants, and many records of the later Nayaks and&nbsp;Marathas.

The inscriptions in the walls of the temple are from&nbsp;Kulothunga Chola I&nbsp;indicating revenue survey and settlement and other additions made inside the temple.

&nbsp;This inscription (No. 32 of 1895) on the second precinct records a grant of 120 sheep for two lamps and the&nbsp;pujaris&nbsp;and inhabitants are appointed trustees of the grant.

The date is the 172nd day of 26th year of the reign of Kulothunga I, who conquered the&nbsp;Kalinga&nbsp;region. The other inscriptions mention the name of the queen and adore her as the &quot;mistress of the whole world&quot;. Three other queens, Dinachintamani, Elisai Vallabhi and Tyagavalli. 
The temple is also famous historically for&nbsp;devadasi&nbsp;tradition, which involves donating dance women to the temple during the medieval period.

The inscriptions indicate the tradition, dances, rearrangement during festivals and procession of deities during festivals.

The record is dated in the seventh reignal year of&nbsp;Vikrama Chola&nbsp;(1118-35 CE).&nbsp;There are five inscriptions in this vein from the 10th century and there are three later inscriptions date 1123 CE, 1142 CE and 1218 CE. The possible reasoning for the hundred-year gap indicates the shifting of all temple women to&nbsp;Brihadeeswarar temple&nbsp;by&nbsp;Rajaraja I.

&nbsp;Since the temple received lot of gifts, the Cholas deputed a special army to protect the endowments.

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Highlights

Sevas/Festivals

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The temple is located in&nbsp;Tiruvidaimaruthur, a village in the&nbsp;South Indian&nbsp;state of&nbsp;Tamil Nadu, 8&nbsp;km (5.0&nbsp;mi) away from&nbsp;Kumbakonam&nbsp;on the Kumbakonam - Mayiladuthurai highway.&nbsp;The temple has a five-tiered Rajagopuram&nbsp;and three precincts, each enclosed inside huge walls and having gateway towers for each of them.

The temple is rectangular in plan with east&ndash;west orientation and has four entrances in each of the four directions. Mahalingam, literally meaning big lingam, is the presiding deity and is considered the centre of all consort deities of Tamil Nadu.[8]&nbsp;There are five temple tanks inside the temple, namely Karunyamirdha Theertham, Soma Theertham, Kanaga Theertham, Kalyana Theertham and Iravatha Theertham.

There are 27 other water bodies that are associated with the temple. There is a separate shrine for Mookambiga and it is built in north Indian style.&nbsp;The shrine of Mookambiga is where Parvathi is believed to have performed her penance.

&nbsp;There are stone images of&nbsp;Pattinathar&nbsp;and Bhadragiriyar in the eastern and western gateways of the temple respectively

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A view of the temple tank

The central shrine of the temple is that of Mahalingaswamy facing East. The shrine of Ambal faces the east and is situated close to the Mookambigai Amman shrine.

The temple was widely expanded during the Nayak period in the 16th century with the development of twin Mahalinga and Devi shrines. The shrines of&nbsp;Muruga&nbsp;and&nbsp;Nataraja&nbsp;are enshrined in the spaces between the pier.

&nbsp;There are other shrines for Padithurai Vinayagar and Agora Veerabadrar.

The three precincts are called Aswametha Pradakshina, Kodumudi and Pranava. The Vinayagar in the Southern side is called Anda Vinayagar and as per Hindu legend, the Vinayagar ruled the world and hence obtained the name. Pranava precinct has lot of sculptures dating back to the Nayak period of the 16th century. One of the notable among them is the sculpture of a chariot having twelve pillars, each denoting the twelve&nbsp;lagnas. In the northern portion of Kodumudi precinct, there is an image of Chokkanathar.

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The second precinct of the temple portraying sculptures

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The piers standing has attached colonettes, lotus beams and suspended beams are atypical of Nayak style though the attached hall and innermost compound are recent additions.

Govinda Dikshitar, the minister of&nbsp;Nayak&nbsp;is believed to have built the Pushyamantapas (halls) in this temple.

Achyutappa also added gift of a village to the temple, the income of which was to be utilized for the temple car festival for the goddess in Adipuram day.

Thanjavur Marathas&nbsp;ruled the region during the 18th century. Pratap Singh (1736&ndash;63) was a patron of the temple after his prayer to Mahalingaswamy to marry love was fulfilled. He is believed to have donated one lakh metal lamps to the temple. His concubine Theepanachiar is believed to have personified as one of the lamps. An ornamental metal image of a lady called Pavai Nonbu holding a lamp is still present in temple. The base of the lamp has an inscription indicating the gift of Marathas to the temple.

In modern times, the temple is maintained and administered by&nbsp;Thiruvaduthurai Adheenam, a South Indian monastic institution. A Saiva Siddantha library inside the temple maintains palm leaf manuscripts and Saiva literature.

The temple is one of the most visited temples in the district.

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The temple priests perform the&nbsp;pooja&nbsp;(rituals) during festivals and on a daily basis. Like other Shiva temples of Tamil Nadu, the priests belong to the&nbsp;Shaivaite&nbsp;community, a Brahmin sub-caste. The temple rituals are performed six times a day; Ushathkalam at 6:00&nbsp;a.m., Kalasanthi at 8:00&nbsp;a.m., Uchikalam at 12:00&nbsp;p.m., Sayarakshai at 6:00&nbsp;p.m., Irandamkalam at 8:00&nbsp;p.m. and Ardha Jamam at 9:00&nbsp;p.m. Each ritual comprises four steps:&nbsp;abhisheka&nbsp;(sacred bath),&nbsp;alangaram&nbsp;(decoration),&nbsp;neivethanam&nbsp;(food offering) and&nbsp;deepa aradanai&nbsp;(waving of lamps) for both Mahalingeswarar and Pirguchuntaragujambigai. The worship is held amidst music with&nbsp;nagaswaram&nbsp;(pipe instrument) and&nbsp;tavil&nbsp;(percussion instrument), religious instructions in the&nbsp;Vedas&nbsp;read by priests and prostration by worshippers in front of the temple mast. There are weekly rituals like&nbsp;somavaram&nbsp;and&nbsp;sukravaram, fortnightly rituals like&nbsp;pradosham&nbsp;and monthly festivals like&nbsp;amavasai&nbsp;(new moon day),&nbsp;kiruthigai,&nbsp;pournami&nbsp;(full moon day) and&nbsp;sathurthi.[23]&nbsp;The most prominent festival of the temple,&nbsp;Thaipoosam, is celebrated for ten days during the&nbsp;Tamil&nbsp;month of&nbsp;Thai.[7][23]&nbsp;The festival deity of Mahalingeswarar and his consort&nbsp;circumambulate the temple&nbsp;and the streets in the village in different vehicles. The festival ends with&nbsp;Theerthavari&nbsp;on the last day. During the Tamil month of&nbsp;Vaikasi, Tirukalyanam (sacred marriage), Ambal Tapasu (penance of Ambal), Ambal Thannai thaane festivals are celebrated.[23]

Historic image of temple car of the temple

According to Hindu legend, Mahalingaswamy is the centre of all Shiva temples in the region and the&nbsp;Saptha Vigraha moorthis&nbsp;(seven prime consorts in all&nbsp;Shiva&nbsp;temples) are located at seven cardinal points around the temple, located in various parts of the state.The seven deities are&nbsp;Nataraja&nbsp;in&nbsp;Chidambaram Nataraja Temple&nbsp;at&nbsp;Chidambaram,&nbsp;Chandikeswarar temple at Tirucheingalur,&nbsp;Vinayagar&nbsp;in&nbsp;Vellai Vinayagar Temple&nbsp;at&nbsp;Thiruvalanchuzhi,&nbsp;Muruga&nbsp;in&nbsp;Swamimalai Murugan Temple&nbsp;at&nbsp;Swamimalai,&nbsp;Bhairava&nbsp;in&nbsp;Sattainathar Temple&nbsp;at&nbsp;Sirkali,&nbsp;Navagraha&nbsp;in&nbsp;Sooriyanar Temple&nbsp;at&nbsp;Suryanar Kovil&nbsp;and&nbsp;Dakshinamoorthy&nbsp;in&nbsp;Apatsahayesvarar Temple, Alangudi&nbsp;at&nbsp;Alangudi, Papanasam taluk.

The other deities of a Shiva temple associated with Mahalingeswaraswamy are&nbsp;Durga&nbsp;in&nbsp;Thenupuriswarar Temple&nbsp;at&nbsp;Patteswaram,&nbsp;Somaskanda&nbsp;in&nbsp;Thyagaraja Temple, Tiruvarur&nbsp;at&nbsp;Tiruvarur&nbsp;and&nbsp;Nandi&nbsp;at&nbsp;Tiruvavaduthurai Temple&nbsp;at&nbsp;Thiruvaduthurai.

Thiruvayyaru,&nbsp;Mayiladuthurai,&nbsp;Thiruvidaimaruthur,&nbsp;Thiruvenkadu, Chayavanam and&nbsp;Srivanchiyam&nbsp;are considered equivalents of&nbsp;Kasi.

Like in Kasi, where the city is centered around&nbsp;Kashi Vishwanath Temple, the temples in these towns along the banks of river&nbsp;Cauvery, namely&nbsp;Aiyarappar temple&nbsp;in Thiruvaiyaru, Mahalingeswarar temple in&nbsp;Thiruvidaimarudur,&nbsp;Mayuranathaswamy temple&nbsp;in&nbsp;Mayiladuthurai,&nbsp;Chayavaneswarar temple&nbsp;in Sayavanam,&nbsp;Swetharanyeswarar temple&nbsp;in&nbsp;Thiruvenkadu,&nbsp;Srivanchinadhaswamy Koil&nbsp;in&nbsp;Srivanchiyam&nbsp;are the centerpieces of the towns.&nbsp;The temple is counted as one of the temples built on the banks of&nbsp;River Kaveri.

The temple is also referred as Pancha Linga stala due to the presence of five lingams, four of which in the cardinal directions and the fifth one at the centre. The temple of Viswanatha lies in the east street, Rishipuriswara in the west, Atmanatha in South street and Chokkanatha in North street.

Modern image of temple car of the temple

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<table style="width:220px">
	<tbody>
		<tr>
			<th colspan="3">
			Sapthavigraha Moorthis
			</th>
		</tr>
		<tr>
			<td colspan="3">Saptha Vigraha moorthis&nbsp;are the seven prime consorts in all&nbsp;Shiva&nbsp;temples located at seven cardinal points around the temple</td>
		</tr>
		<tr>
			<td>Deity</td>
			<td>Temple</td>
			<td>Location</td>
		</tr>
		<tr>
			<td>Shiva</td>
			<td>Mahalingaswamy temple</td>
			<td>Tiruvidaimarudur</td>
		</tr>
		<tr>
			<td>Durga</td>
			<td>Thenupuriswarar Temple</td>
			<td>Patteswaram</td>
		</tr>
		<tr>
			<td>Vinayaga</td>
			<td>Vellai Vinayagar Temple</td>
			<td>Thiruvalanchuzhi</td>
		</tr>
		<tr>
			<td>Murugan</td>
			<td>Swamimalai Murugan temple</td>
			<td>Swamimalai</td>
		</tr>
		<tr>
			<td>Nataraja</td>
			<td>Natarajar temple</td>
			<td>Chidambaram</td>
		</tr>
		<tr>
			<td>Dakshinamurthy</td>
			<td>Apatsahayesvarar Temple</td>
			<td>Alangudi</td>
		</tr>
		<tr>
			<td>Navagraha</td>
			<td>Suryanar Kovil</td>
			<td>Suryanar Kovil</td>
		</tr>
	</tbody>
</table>

The temple is revered in the verses of&nbsp;Tevaram, the 7th century saivite canonical work by the three poet saints namely,&nbsp;Appar,&nbsp;Sundarar&nbsp;and&nbsp;Thirugnanasambandhar. Appar has glorified the temple in five, Sundarar in one and Thirugnanasambandhar in six verses.&nbsp;Appar refers the temple as Idaimaruthur.

&quot;பாச மொன்றில ராய்ப்பல பக்தர்கள்

வாச நாண்மலர் கொண்டடி வைகலும்

ஈச நென்பெறு மான்இடை மருதினிற்

பூச நாம்புகு தும்புன லாடவே&quot;

In another verse, he hails the deity here as

மங்கை காணக் கொடார்மண மாலையைக்

கங்கை காணக் கொடார்முடிக் கண்ணியை

நங்கை மீர் இடைக் மருதரிந் நங்கைக்கே

எங்கு வாங்கிக் கொடுத்தார் இதழியே

translating to

&quot;Praise to you father in Idaimaruthur.

Praise to you who carried Ganges river in your plait.&quot;

Appar&#39;s verses point out the&nbsp;saiva agamas&nbsp;practised during the period.

&quot;Because of our loneliness it is difficult for us to keep company of with dark ghosts

So my tongue will go on uttering the saiva agamas in the presence of the companion (mind)

to the accompaniment of the unrivalled music of Tiruvidaimaruthur&quot;

Maanickyavasagar praises the deity here as under

&quot;You are the Eesan who had blessed Brahman, Vishnu and Indra when they bowed.

You descended on earth and disclosed your perfect ways.

You, in your grace, gave supreme virtues to that good dame of Idaimaruthur that is full of mansions set with good and brightful gems

Our Lords are those who know that grace&quot;

The temple is also revered in the verses of Karnnantheva,&nbsp;Pattinathar&nbsp;and&nbsp;Manikkavacakar.

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